(TMU) – The popular EDM producer Bassnectar has announced that he will be stepping away from his music career, after numerous young women have come forward to tell their stories about inappropriate sexual encounters that they had with him while they were underage.
In a message posted to all of his social media accounts, Bassnectar, whose real name is Lorin Ashton, denied any illegal acts, but recognized that some of his behavior may have been harmful.
“I am stepping back from my career and I am stepping down from my position of power and privilege in this community because I want to take responsibility and accountability. I feel intense compassion for anyone I may have hurt. I truly hope you allow me a chance to work together toward healing,” Ashton said.
Rumors of Ashton’s fixation with young girls had been circulating in the industry for years, but they didn’t gain much traction until now because the victims were afraid to come forward, and those who did were bullied into silence.
Ashton’s victims say that he is extremely manipulative and was grooming them from a young age when they were very vulnerable and impressionable. One of the victims shared a recording on Instagram which appears to be a conversation with Ashton, where he asks her if she wants him to end up in jail for his actions.
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Message from DM: Due to a majority of viewers’ inability to comprehend reality, the original poster has sent the full clip at risk of losing their anonymity, only edited 1 second at a time (follow the timestamp of the recording) to keep her voice and hopefully identity unknown to the many attackers and the accused. This is NOT from an interview. This is a conversation between an accuser and the accused. THIS IS THE PROOF YOU’VE BEEN DEMANDING.
Ashton was finally forced to publicly address the accusations after an Instagram page called “Evidence Against Bassnectar“ popped up last week. The page shows dozens of screenshots of alleged victims discussing how they were groomed by Ashton and manipulated into sexual relationships while they were underage. The page also featured personal messages and emails with Ashton, as well as recorded phone conversations.
In a lengthy statement just for his fans in the “Love Here“ Facebook group, Ashton attempted to explain his behavior and distance his actions from what he perceives as “legitimate” sexual assault. His post seems to indicate that he draws a line between violent sexual assault, and situations where a victim is subjected to manipulation or other forms of coercion, which is what he is being accused of. He also doesn’t address the allegations that a large number of these girls were underage when he began sexual relationships with them, saying only that they were “younger” and claiming that they were in college at the time.
“I now understand the dangerous power imbalance that is present when engaging romantically with someone who may identify as a fan, and I wish I had been more careful in all of those encounters,” he said.
Screenshots of the statement from the Facebook fan group were posted in an article at Fresh Music Freaks that detailed the evidence against Ashton. The article also discusses how those with positions of power in the entertainment industry are able to take advantage of vulnerable people, and why the victims are usually unable to do anything about it once they realize what has happened.
Many of the alleged victims said that Ashton was extremely manipulative, and the emails and phone messages that they shared seem to confirm these allegations. In light of this information, some EDM fans investigating the case have pointed out that the Bassnectar logo has some striking similarities with the cover of a book called “The Laws of Mental Domination.” The book was published in 1966 and promises to teach the reader how to “hold others spellbound” and “how to dominate and control groups and crowds.”
12-Year-Old DJ Gets Busted For Hosting ‘Underground Rave’ In Catholic School Bathroom
A 12-year-old boy in the U.K. organized a rave in the bathroom of his Catholic school that managed to last for 30 minutes before it was shut down and his equipment was confiscated. However, his parents are backing the young DJ up.
Cael Bell is an enterprising, up-and-coming turntablist who decided earlier this month that it was time to display his talents for his mates at Urmston in the Greater Manchester region.
So Bell took to Snapchat and began advertising an underground rave that would take place in the lavatory of the private school during lunch period on Dec. 11. The event was open to “all year 8 boys” at the school. Attendees would also receive complimentary soft drinks and Cadbury Twirls.
As Consequence of Sound noted, “while a school bathroom is a below-average setting for such a lunch, it is certainly cleaner than your typical rave.”
Bell managed to sneak his speakers and other gear into the restroom and held a set for 30 minutes before the school’s authorities broke up the underground gig. The school even confiscated Bell’s lights and speakers.
When Cael’s mother, Louise Bell, learned about her son’s transgression she wasn’t peeved in the least bit. In fact, the young mum actually thought that her son’s antics were ingenious. She wrote in a Facebook post: “Am I wrong for finding this funny?”
“I had to laugh. It has been a terrible year and I couldn’t be angry with my son for trying to spread some cheer,” she later told The Mirror in an interview.
“When I got the call, it made perfect sense,” Louise continued. “Cael had been up, dressed and ready to leave for school early that morning which was unheard of in our house. He had the biggest smile on his face so I knew he had something up his sleeve.”
“I asked him what he was so happy about and he told me they were having a rave in school,” she added. “I thought nothing of it, I didn’t think for one minute there was any truth to it.”
“But when I heard what Cael had done, from advertising the rave on Snapchat to actually pulling it off and even providing refreshments, I couldn’t help but see the funny side.”
When Cael’s father also learned about his son’s antics, he was thrilled and encouraged his son, telling him: “go on son!”
“In our eyes, he hadn’t done anything wrong,” Louise continued. “We would have been furious if the teachers had reprimanded him further, past confiscating his things.”
Even the school had to admit that they were impressed by the lad, informing her that they had only confiscated his equipment because it “couldn’t facilitate such behavior.”
“When we asked him why he’d done it, he told us school was boring and that they had nothing to do at lunch time,” Louise said. “I wish there had been a Cael when I was in school, it would have been much more fun.”
“Music is Cael’s motivation and we couldn’t be mad at him for expressing and sharing that passion. It was very inventive of him.”
American Flag Clad Trump Supporters Rock Out To Rage Against The Machine – Band Reacts
Rage Against The Machine guitarist Tom Morello shared a video on Twitter Friday night, which showed supporters of US President Donald Trump, clad in American flags and “thin blue line” flags, rocking out to the band’s song “Killing in the Name” in Philadelphia.
The video was also shared from the band’s official Twitter account, with the caption “They just don’t GET IT do they?”
In an interview with Rollings Stone earlier this year, Morello said that lyrics of the song make him think of Frederick Douglass, although it is not clear if he was an inspiration for the song, which Zack de la Rocha wrote.
“‘F*** you, I won’t do what you tell me’ is a universal sentiment. While it’s a simple lyric, I think it’s one of [Zack de la Rocha’s] most brilliant. And to me, it relates to Frederick Douglass. Frederick Douglass said, the moment he became free was not the moment that he was physically loosed from his bonds. It was the moment when master said, “Yes.” And he said, “No.” And that’s the essence of “F*** you, I will not do what you tell me,” Morello said.
The lyrics for the song also explicitly discuss the connection that police departments across the country have with white supremacy, in the lines “some of those that work forces are the same that burn crosses,” and “you justify those that died by wearing the badge, they’re the chosen whites.” In fact, these lines account for about 50% of the words in the song, so they are pretty hard to miss.
Morello has previously said that it was encouraging to hear the song chanted at the “Fed goons who are shooting tear gas at American citizens,” but he doesn’t seem very proud of this most recent video.
Political campaigns have a long history of making musicians cringe by playing their music at political events.
In recent weeks, the Trump campaign has been criticized for its use of songs for campaign purposes, including Creedence Clearwater Revival’s “Fortunate Son,” which is about how poor people get sent to war, but those who are wealthy or connected with politicians stay out of harm’s way and reap the benefits of the conquests. Many could easily argue that Trump is a representation of the “fortunate son” that is criticized in the song.
He has also used Bruce Springsteen’s song “Born In The USA,” which is frequently misunderstood by politicians and appropriated for political campaigns. Springsteen himself has called the song a “protest song,” partly based on Ron Kovic’s 1976 autobiography Born on the Fourth of July, which tells the story of a Vietnam veteran who becomes anti-war after returning home with a physical disability from the conflict.
Springsteen described how the song was misunderstood in a 2005 interview with NPR’s Terry Gross.
“‘Born In The USA’ is a classic situation of a song misinterpreted by some because of its chorus. My music has been a football where I had people from the far-left to the far-right who misrepresent us. It’s something I live with and I always have the opportunity to go on stage and say my piece about it,” He said.
The Flaming Lips Held A Concert Where Everyone Was In A Plastic Bubble
Although many people throughout the United States have started to get back to work, the live entertainment industry is still on hold for the most part.
Some artists and production companies have come up with creative ideas to keep the shows running, but they look nothing like the events of 2019. The most popular style of COVID-era concert this past summer was the drive-in, with many artists touring drive-in theaters that were repurposed as outdoor concert venues.
However, at these shows, everyone is still required to stay in their cars, and it doesn’t feel much like a real concert.
Last week, the popular rock band The Flaming Lips actually played an indoor concert venue but they performed in giant plastic bubbles, and all of the fans in attendance were inside the bubbles also. The show happened at The Criterion in Oklahoma City, where the band used the strange setting to shoot a music video.
The band’s frontman Wayne Coyne told CNN that he came up with the idea when the pandemic began, but didn’t expect the virus to stick around long enough for it to actually be necessary.
“I did a little drawing… where I drew a picture of The Flaming Lips doing a show in 2019. And I’m the only person in the space bubble, and everybody else is just norma. Then (I did another drawing with) The Flaming Lips playing a show in 2020. The exact same scenario, but I’m in a bubble, and so is everybody else….I don’t think anybody would have thought, in the middle of March that this is still going to be going, you know, eight months later. I think we all thought this is a month, this is maybe two months, but we’re going to get a handle on this,” he said.
The band first revealed the idea on “The Late Show with Stephen Colbert” back in May, and the reaction inspired them to expand it into a full concert experience.
“We do a couple of songs with about 30 people in the bubbles. And we start to think, ‘Well, you know, just from doing that, we start to get an idea that we could actually do it, you know, and it could actually happen,'” Coyne said.
“Since May, the desire to see the live music has just gotten, you know, more, more amplified,” he added.
Although this is the first time that they have required their fans to wear them, the band has previously performed in space bubbles, so they knew exactly where to find them.
“I like the way this looks, because you can get as excited as you want, you can scream as much as you want, you just can’t infect the person next to you, no matter what you forget about, how excited you get. That barrier is still there, they’re protected, and you’re protected… that part of it is what we really felt like was the success,” Coyne said.
“We, as The Flaming Lips, we like the idea that we are doing something different…. I think it could be cool. It could be fun. And we could all have a, you know, a crazy unique experience,” he added.
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